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Literary Theory and Criticism (Master 1)
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Select section General
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General
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Select activity First-Semester Syllabus
First-Semester Syllabus
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Select activity First-Semester Syllabus
First-Semester Syllabus
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Select section LECTURE ONE: INTRODUCTION TO LITERARY THEORY AND LITERARY CRITICISM
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LECTURE ONE: INTRODUCTION TO LITERARY THEORY AND LITERARY CRITICISM
Select activity Lecture One: Introduction to Literary Theory and Literary Criticism
Lecture One: Introduction to Literary Theory and Literary Criticism
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Select section SECTION ONE: TEXT-ORIENTED LITERARY THEORIES
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SECTION ONE: TEXT-ORIENTED LITERARY THEORIES
Select activity Lecture One: Russian Formalism
Lecture One: Russian Formalism
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Select activity Tutorial № 01: Application of Russian Formalism to the Analysis of Emily Dickinson’s “Much Madness is divinest Sense”
Tutorial № 01: Application of Russian Formalism to the Analysis of Emily Dickinson’s “Much Madness is divinest Sense”
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Select activity Tutorial № 02: Application of Russian Formalism to the Analysis Edgar Allan Poe’s “The Black Cat”
Tutorial № 02: Application of Russian Formalism to the Analysis Edgar Allan Poe’s “The Black Cat”
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Select activity Lecture Two: New Criticism
Lecture Two: New Criticism
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Select activity TUTORIAL № 03: Application of New Criticism to the Analysis of William Wordsworth’s “The Inward Eye”
TUTORIAL № 03: Application of New Criticism to the Analysis of William Wordsworth’s “The Inward Eye”
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Select activity TUTORIAL № 04: Application of New Criticism to the Analysis of archiblad macleish’s “Ars Poetica”
TUTORIAL № 04: Application of New Criticism to the Analysis of archiblad macleish’s “Ars Poetica”
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Select activity Lecture Three: Deconstruction
Lecture Three: Deconstruction
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Select activity Tutorial № 05: Application of Deconstruction to the Analysis of Robert Frost’s “The Road Not Taken”
Tutorial № 05: Application of Deconstruction to the Analysis of Robert Frost’s “The Road Not Taken”
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Select activity Tutorial № 06: Application of Deconstruction to the Analysis of Mary Shelley’s Frankenstein
Tutorial № 06: Application of Deconstruction to the Analysis of Mary Shelley’s Frankenstein
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Select section SECTION TWO: AUTHOR-ORIENTED LITERARY THEORIES
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SECTION TWO: AUTHOR-ORIENTED LITERARY THEORIES
Select activity Lecture 01: Biographical Criticism
Lecture 01: Biographical Criticism
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Select activity Tutorial № 01: Application of Biographical Criticism to the Analysis of Jane Austen’s Pride and Prejudice
Tutorial № 01: Application of Biographical Criticism to the Analysis of Jane Austen’s Pride and Prejudice
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Select activity Lecture 02: Psychological Approach: Sigmund Freud
Lecture 02: Psychological Approach: Sigmund Freud
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Select activity Tutorial № 02: Application of Freudian psychoanalytic theory to the Analysis of Selected literary texts
Tutorial № 02: Application of Freudian psychoanalytic theory to the Analysis of Selected literary texts
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Select activity Lecture 03: Author-oriented Literary Criticism: Psychological Approach: Jacques Lacan
Lecture 03: Author-oriented Literary Criticism: Psychological Approach: Jacques Lacan
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Select activity Tutorial № 03: Application of Lacanian Psychoanalytic Theory to the Analysis of Lewis Caroll’s Alice’s Adventures in Wonderland and Through the Looking Glass
Tutorial № 03: Application of Lacanian Psychoanalytic Theory to the Analysis of Lewis Caroll’s Alice’s Adventures in Wonderland and Through the Looking Glass
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