Literary Theory and Criticism Master 1

Section outline

• Select section Course Description

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  Course Description

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  • Select activity Annonces

    

    Annonces Forum
  • Select activity Course Description

    

    Course Description File
• Select section Introduction to Literary Theory and Literary Criticism

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  Introduction to Literary Theory and Literary Criticism

  • Select activity Lecture One: Introduction to Literary Theory and Literary Criticism

    

    Lecture One: Introduction to Literary Theory and Literary Criticism File
  • Select activity Tutorial One: Introduction to Literary Theory and Literary Criticism

    

    Tutorial One: Introduction to Literary Theory and Literary Criticism File
• Select section Text-oriented Literary Criticism: Russian Formalism

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  Text-oriented Literary Criticism: Russian Formalism

  • Select activity Lecture Two: Russian Formalism

    

    Lecture Two: Russian Formalism File
  • Select activity Tutorial № 02: Application of Russian Formalism to the Analysis of Emily Dickinson’s “Much Madness is divinest Sense”

    

    Tutorial № 02: Application of Russian Formalism to the Analysis of Emily Dickinson’s “Much Madness is divinest Sense” File
  • Select activity Tutorial № 03: Application of Russian Formalism to the Analysis Edgar Allan Poe’s “The Black Cat”

    

    Tutorial № 03: Application of Russian Formalism to the Analysis Edgar Allan Poe’s “The Black Cat” File
• Select section Text-oriented Literary Criticism: New Criticism

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  Text-oriented Literary Criticism: New Criticism

  • Select activity Lecture Three: New Criticism

    

    Lecture Three: New Criticism File
  • Select activity TUTORIAL № 04: Application of New Criticism to the Analysis of William Wordsworth’s “The Inward Eye”

    

    TUTORIAL № 04: Application of New Criticism to the Analysis of William Wordsworth’s “The Inward Eye” File
  • Select activity TUTORIAL № 05: New Critical Reading of John Donne’s “Death, be not Proud”

    

    TUTORIAL № 05: New Critical Reading of John Donne’s “Death, be not Proud” File
• Select section Text-Oriented Literary Criticism: Deconstruction

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  Text-Oriented Literary Criticism: Deconstruction

  • Select activity Lecture Four: Deconstruction

    

    Lecture Four: Deconstruction File
  • Select activity TUTORIAL № 06: Application of Deconstruction to the Analysis of Robert Frost’s “The Road Not Taken”

    

    TUTORIAL № 06: Application of Deconstruction to the Analysis of Robert Frost’s “The Road Not Taken” File
  • Select activity TUTORIAL № 07: Application of Deconstruction to the Analysis of Mary Shelley’s Frankenstein: The Modern Prometheus

    

    TUTORIAL № 07: Application of Deconstruction to the Analysis of Mary Shelley’s Frankenstein: The Modern Prometheus File
• Select section Author-Oriented Literary Criticism

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  Author-Oriented Literary Criticism

  • Select activity Lecture 05: Psychological Approach: Sigmund Freud

    

    Lecture 05: Psychological Approach: Sigmund Freud File
  • Select activity Application of Freudian psychoanalytic theory to the Analysis of Selected literary texts

    

    Application of Freudian psychoanalytic theory to the Analysis of Selected literary texts File
  • Select activity Lecture 06: Author-oriented Literary Criticism: Psychological Approach: Jacques Lacan

    

    Lecture 06: Author-oriented Literary Criticism: Psychological Approach: Jacques Lacan File